About the artist
Rachel Whiteread, CBE (born 20 April 1963) is an English artist who primarily produces sculptures, which typically take the form of casts. She was the first woman to win the annual Turner Prize in 1993.
Whiteread was one of the Young British Artists who exhibited at the Royal Academy's Sensationexhibition in 1997. Among her most renowned works are House, a large concrete cast of the inside of an entire Victorian house; the Judenplatz Holocaust Memorial in Vienna, resembling the shelves of a library with the pages turned outwards; and Untitled Monument, her resin sculpture for the empty fourth plinth in London's Trafalgar Square.
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I find her process so interesting this is a lengthy account relating to the above image but it shows her thinking and process.
Demolished is the title of a portfolio of twelve duo-tone screenprints, divided into three categories under the rubrics A, B and C (see Tate P77872-9 for B and C). The portfolio was printed at Coriander Limited, London, in an edition of thirty-five plus ten artist's proofs and published by Charles Booth-Clibborn, London, under his imprint The Paragon Press. This portfolio is number twenty-five in the edition. The prints were scanned from photographs recording the demolition of tower blocks on three separate housing estates in the borough of Hackney, east London. Whiteread took the photographs between October 1993 and June 1995 using black and white film. The subsequent screenprinting process has enlarged the images resulting in a grainy texture and steely grey tones. Stages in each of the three demolitions are documented in three photographs taken from the same view-point and looking through virtually the same frame. A fourth photograph of each site from a different location records, in A, a pile of rubble, in B, a dust-filled stormy sky and, in C, gleaming tower blocks on a sunny day before the dark, cloud-producing processes of demolition. While the A-series images assume a neutral documentary tone, at odds with the monumental destruction being witnessed, the B and C series have more apocalyptic resonances reminiscent of photo-journalistic documentation of nuclear explosions and war damage as a result of bombing.
The events portrayed in Demolished have important personal resonances for the artist. In the early 1990s she was living in London's East End, a historically poor area. Her experiences here, together with the noticeable increase of homeless people in the city at that time arising from dramatic socio-economic changes occurring in what came to be known as Thatcher's Britain (Margaret Thatcher, Prime Minister 1979-90), informed her work of this period. For Whiteread, the sculptures she castfrom discarded pieces of furniture operate as metaphors for neglect, both of people and their living environments. In 1993 she was commissioned by Artangel (a London-based arts funding organisation) to cast the interior space of a house and chose a house that was scheduled for demolition. House 1993 (destroyed) was located in Bow, East London, a formerly deprived area. It came to stand as a testimony to the people living there prior to the increasing gentrification of the area later in the decade.
In Demolished the images are sufficiently general that the tower blocks could be in almost any city in the world and stand for social planning for the poor world-wide. Although they portray destruction, the images are redeemed from the narrative of dark endings by their aesthetic transformation through the screenprinting process. Like Whiteread's sculptural casts, they serve to record what she has referred to as 'something that is going to be completely forgotten … the detritus of our culture' (quoted in Detterer, p.271), creating a memorial to the past in the hope of generating something better for the future.
Rachel Whiteread's work shows al ot of skill and thought behind her work. She wants her audience to ask questions the whys, the how's and to delve deeper into the meaning and the elements of life that you don't think about.
More details about the works can be found below.